The Barbican Centre’s new ‘A Countervailing Theory’ exhibit

LONDON, ENGLAND - AUGUST 10: A visitor enjoys Toyin Ojih Odutola: A Countervailing Theory Installation during a viewing at The Curve, Barbican Centre on August 10, 2020 in London, England. (Photo by Tim P. Whitby/Getty Images for Barbican Art Gallery )

The Barbican Centre’s latest free exhibition in The Curve comes in the form of Toyin Ojih Odutola huge site-specific installation, A Countervailing Theory.

Working exclusively with drawing materials, including pencil, pastel, ballpoint pen and charcoal, Ojih Odutola’s works take the form of monumental portraits, which retain a remarkable intimacy despite their scale.

She approaches the process of drawing as an investigative practice, through which to explore an intense engagement with mark-making and its potential for meaning.

Ojih Odutola recognises that the pen is ‘a writing tool first’, playing with the idea that drawing can be a form of storytelling. She proposes speculative fictions through her practice, inviting the viewer to enter her vision of an uncannily familiar, yet fantastical world.

news london
Take in the grand space as well as the ‘A Countervailing Theory’ at the Barbican Centre. Photos by Tim P. Whitby.

NOW READ: Back in Business: The Barbican Centre reopens to the public

Working akin to an author or poet, she often spends months creating extensive imaginary narratives, which play out through a series of works to suggest a structure of episodes or chapters. Drawing on an eclectic range of references, from ancient history to popular culture to contemporary politics, Ojih Odutola encourages the viewer to piece together the fragments of the stories that she presents.

Ojih Odutola’s previous work has addressed the malleable nature of identity and the role of place in shaping this concept throughout history. She has explored the socio-political construct of skin colour to question what is understood by ‘blackness’, scrutinising this notion through the lens of aesthetic, historical, political, conceptual and emotional principles.

Her works manifest a persistent attention to the texture of skin, achieving extraordinary luminous effects; the topography of the flesh conveys the nuanced histories of her subjects. Ojih Odutola’s meticulously executed works subvert the grand tradition of portraiture and painting, deftly elevating the classic medium of drawing.

london magazine
Social distancing is mandatory at Toyin Ojih Odutola’s free exhibition.

Toyin Ojih Odutola said: “Walking into Barbican Centre’s The Curve for the first time was an enchanting experience of having a space unfold as you travel through it, not quite knowing what will come around the corner.

“The feeling of possibility it provides to create and exhibit a story one can meander through in real-time gifted so much promise in how to engage with an audience.

“The opportunity to share a new project with the Barbican in London is a huge honour of which I am most excited to partake and I cannot wait to share that feeling of enchantment with every viewer who visits.

“I hope in the process of experiencing A Countervailing Theory, one finds new ways of engaging with The Curve space, with eclectic forms of storytelling, and all the potentials art-making gifts us.”

Jane Alison, Head of Visual Arts at the Barbican Centre, added: “I am delighted that we are commissioning Toyin Ojih Odutola for her first-ever UK exhibition.

“The Curve continues programming the most exciting contemporary artists, and Ojih Odutola’s engagement with the space as a canvas for her compelling narratives, told through different modes of drawing, will undoubtedly be a revelatory experience for the viewer.”

Toyin Ojih Odutola’s A Countervailing Theory is free to view at the Barbican Centre until  24 January 2021, but pre-booked tickets are essential.

For the latest headlines from the City of London and beyond, follow City Matters on TwitterInstagram and LinkedIn.